Michael Morris referred to his archive as his "raw data". By far one of the most spectacular aspects of his "raw data" would be his collection of photographs. By the time he was working with me on Beyond Valentino we had access to digital images but in the 1980's when Michael was working on Madam Valentino, he bought these photographs from film archives. The negatives are many and in perfect condition and I will see that this data is housed in the safest possible location. I am still debating over a couple of different final locations for his archive and have also scanned it all to upload on archive.org soon.
