I
seem to be living in a film, worthy of Luis Buñuel's purest
surrealism or in a creation of René Clair, such as his Dadaist
“Entr'acte”, of whom I place an image here below with Rodolfo
Valentino and Rolf de Maré.
When
I happen to read the delusional post of Tracy Ryan Terhune, who from
a blog he kidnapped from the legitimate owner and from a blog
having the title of the book she wrote, says he is bullied by his own
victim. Terhune also accuses her of being motivated by hatred towards
some "innocent" creatures whom he lists as "victims"
of Evelyn Zumaya.
Of
these supposed victims, just for the record, I report here the list
made by Tracy Ryan Terhune: David Bret, Helen (?), Donna Hill, Cindy
Martin, Dallas Martin, Simon Constable, all the Valentino...former
Guglielmi, family, and now Eleanor Gribbin.
Nothing
could be more surreal and absurd!
Evelyn
Zumaya does not hate, but defends herself.
Evelyn
Zumaya is unable to hate and is not a wild fool, as stated by Eleanor
Gribbin in her recent post aimed at dissuading a person from reading
Evelyn's book.
Evelyn
Zumaya does not disguise herself in order to spy on groups in which
she is not welcome.
Evelyn does not send herself anonymous messages.
These statements are
only the result, in this case, of deep hatred on the part not only of
Tracy Ryan Terhune but also the blatant silent support of the
other people on his “victims” list.
The
thing that baffles me most is the deafening silence of Valentino's
descendants who, with absolute apathy,
observe the
nefarious and shameful attacks on Evelyn while they crouch like hens
roosting on the precious relics of their ancestor. I hope that
someday another eagle will be born in that nest of owls who will
restore a healthy dynamic in Valentino's cultural heritage.
It
would be good if Tracy Ryan Terhune and his minions, before daring to
pronounce the name of Evelyn Zumaya, rinse their mouths out well and
do so with due respect. Evelyn is a sensitive and kindhearted person,
unable to hate and lie. I have known her for over eleven years, and I
can well say that rather than lying she bites her tongue.
Hiding
games are not part of her modus operandi just as they are not part of
mine. Both Evelyn and I never lie because we do not need to and
because it is repugnant to us, everything we say responds to the
absolute truth and I do not compromise on this.
Evelyn
and I would like to be able to proceed serenely in our research
activity and enjoy the serious possibility of being able to share our
discoveries. However, the truth frightens those who have established
their credibility on a heap of lies, so many that they have become
indefensible.
I
am sure that some honest mind hides within this horde spreading
hatred towards Evelyn and me and that, in a time, which I hope is
soon, they come forward and all lies will be revealed and the truth
restored.
However,
I advise every person on Terhune's “victims” list to read and
understand Evelyn's book without dwelling on the typo or the trifles.
The brightness of thought lies in reading and understanding without
prejudice. Wake up, choose the light and stop living in the narrow
darkness of insane prejudices.
On Valentino's right, Rolf de Mare and on his left, Rene Clair
Please Note: UPDATE
Please Note: UPDATE
I open this update with a few important lines from “IF” by Rudyard
Kipling,
the lines are in French because it was in French I learned them long
ago.
Si
tu peux supporter d’entendre tes paroles
Travesties par des gueux pour exciter des sots,
Et d’entendre mentir sur toi leur bouche folle,
Sans mentir toi-même d’un seul mot.
Travesties par des gueux pour exciter des sots,
Et d’entendre mentir sur toi leur bouche folle,
Sans mentir toi-même d’un seul mot.
It
is necessary for me to share a short explanation regarding the image
with Rolf de Maré, Rudolph Valentino and René Clair (above) with
Rolf de Maré at the right side of Valentino and René Clair on the
left side of Valentino.
I
add that I did not write that this image was taken on the set of
Entr’Acte.
Regarding
the fact that this person on Valentino's left is René Clair; this
has been verified by the Icono section of the Cinémathèque
Française.
This
is the response to my request for clarification on the identity of
the person at Rudolph Valentino's left. The curator of the image
sector replied with the following message:
Bonjour
Renato,
Après
vérification des différents portraits que nous avons de René Clair
nous vous confirmons que c’est bien lui qui est sur la photo et non
André Daven.
En
espérant avoir répondu à votre demande…
Restant
à votre disposition,
Bien
cordialement,
xxxxxxxxxxx
(English
translation of the verification e-mail)
Hello
Renato,
After
checking the different portraits we have of René Clair, we confirm
that it is him who is in the photo and not André Daven.
Hoping
to have answered your request ...
Remaining
at your disposal,
Best
regards,
xxxxxxxxxxx
That’s
all folks!
Renato