Please visit the catalog of the reissues of our books here:
Documenting the Erased, Restoring the Stolen, and Preserving What Others Would Silence.
Sunday, September 13, 2026
Wednesday, April 15, 2026
A Meaningful Event
A note of thanks to Aurelio Miccoli, who recently shared an image from an event in Castellaneta in which actor Lino Guanciale, receiving a Valentino-related honor, concluded the evening with a reading from Il Mio Diario Privato, excerpted from the opening passage describing a journey back to his roots.
It is always meaningful to see this material continue to find a voice and an audience, particularly in Italy, where so much of this history still resonates and where Renato Floris' work in translating and preserving the integrity of these texts remains part of that ongoing record.
My thanks to Aurelio for passing this along.
The article maybe be read here: https://www.viviwebtv.it/articolo/aracnea-film-e-book-festival-lino-guanciale-incanta-la-platea-sotto-il-segno-di-rudy_107848
The Image via Facebook here:
https://www.facebook.com/photo?fbid=910085498511168&set=a.255542903965434
Saturday, April 11, 2026
Saturday, January 31, 2026
Sunday, January 4, 2026
Saturday, December 6, 2025
Saturday, November 8, 2025
Sunday, October 26, 2025
Saturday, October 18, 2025
Wednesday, October 8, 2025
Open letter to Tracy Ryan Terhune from Renato Floris -Repost
Sunday, September 7, 2025
Friday, August 22, 2025
A Memory
Thursday, August 14, 2025
One Hundred Years Ago Today
Exactly one hundred years ago today, on August 13, 1925 at two o’clock in the afternoon, Natacha Rambova met with George Ullman to sign away any further role in her husband Rudolph Valentino’s business. In effect, the divorce happened then.
I was the first to bring out the story of that parting — the scene at the train station, her ouster from Cosmic Arts, Inc., her control over the contracts — all revealed in the records I discovered.
That complete file of records still exists… somewhere. In a collector’s vault? In the Valentino family’s possession? Only weeks ago, Tracy Terhune posted a single document from that file in a YouTube video. Was I the only person who asked where he got it?
This anniversary matters. It is true history. The fact that this meeting between Ullman and Rambova — and what it meant for Valentino — is still being buried is no accident.
Am I bitter that the research Renato and I fought to uncover is mocked and demeaned? No. I’m furious. Furious that so few rise to defend Valentino’s real history. Furious at the censorship and the calculated rewriting.
There’s another layer to August 13th — it was also George Ullman’s son Bob’s second birthday. Decades later, Bob would be the one urging me to find those records and tell the truth at last.
The charlatans carry on, polishing their egos and playing gatekeeper with Valentino’s legacy. One hundred years later, the same games continue — but the facts remain.
Monday, August 11, 2025
Renato's Quiet Archive of Truth
My beloved Renato spent years shielding me from the worst of the poison hurled our way — especially the bile spewed on a blog which brazenly uses my book’s title, Affairs Valentino, and is run by Tracy Ryan Terhune. I still remember his opening post, posing as me writing, “My Book, Affairs Valentino is Pure Fiction.”
Today, I opened an oddly titled folder on Renato’s hard drive — catture schermo (“screen captures” in Italian) — and found it overflowing with screenshots from Terhune's Affairs Valentino blog which I had never seen. Every one of them documented Terhune’s smear posts, meticulously saved.
I’ve long ago told the story of how David Bret extorted me into closing my original Affairs Valentino blog in 2011, threatening to open blogs in my family members’ names. Terhune seized that moment, promising to run a blog under the title of my book, “for the good” — but these screenshots show what he was really doing: running a dedicated hit site for his campaign to destroy me.
The flood of insults and lies upon lies number in the hundreds. In his comment section, he provides a platform for David Bret to violate a court order and run rampant. I scrolled through Renato's, “catture schermo” file, in slideshow mode, barely able to keep up with the sheer volume of attacks. And there, in living color I found the ultimate proof of their obsession with my book and with me personally.
Renato quietly collected it all, sharing some but never telling me the full scope. I realize now what a testament that was to his love for me — protecting me from the worst of it. But now I have it, every word, every fabrication, every grotesque twist of the actual truth.
Terhune has spent years gaslighting his audience into believing my responses were “unprovoked.” These screenshots prove otherwise. My god — they were provoked. Over and over and over.
In my opinion, after witnessing years of his documented malice conducted under my book’s title, it is a disgrace that this man plays any role in the public remembrance of Rudolph Valentino. He went too far. We had every right to defend ourselves. We courageously did. I still do. And now, thanks to Renato, the record will remain.
Below: Renato, preserving the record with steadfast love and vigilance.
Saturday, August 9, 2025
Thursday, August 7, 2025
Thursday, July 31, 2025
On the Censorship of Our Work
The truth is not subjective when supported by documentation and facts. For fourteen years Renato and I shared a treasure trove of documentation to prove facts about the subject of Rudolph Valentino, Natacha Rambova, S. George Ullman, Frank Mennillo, Robert Florey, etc.
But the Valentino “mainstream” as they like to call themselves plugged their ears. And they went even farther to deny the truth be told. (banning even the mention of us on their two Facebook groups, Mad About the Boy and We Never Forget)
They censored, they lied and basically they panicked. In their continued efforts to silence us, we were portrayed as lunatics, criminals who forged documents, dottering senior citizens and described precisely how this hysterical “mainstream” behaved and behaves themselves. Renato and I were anything but. We were working hard every day, sharp as tacks, full of energy and inspired to find honest answers to our many questions... which we did!
Fortunately there are many in the world of Valentino who have questioning minds, who read our books for themselves, checked our citations, listened to our podcasts and learned some truth along the way. To them I say bravo, you are heroes!....again and again.
To those who decided it was not such a big deal and better to suck up to the “mainstreamers”? I say wake up. Your complicity is sad and embarassing. By supporting them, you support their behavior which has been proven by them year after year to be deplorable.
To censor, to shun, to taunt and harass is to bully. This is what they do. They are bullies by definition despite their ridiculous shrieking to the contrary. Their peep, peep, peepings that they are the victims is pathetic. "Mainstreamers"? I call them bullies, censors and liars.
I assure them no matter how distraught I am now as I grieve the loss of my great love, it will be for him that I will seek and have justice... “Fiat, Justitia Ruat Caelum” ! Below, Renato in 2014 when we visited Matera.
Monday, July 28, 2025
Renato Muses on He Who, "Throws the Stone and Hides the Hand"
Monday, July 21, 2025
Correcting the Record
Correcting the Record: On the Translation of Jeanne de Recqueville’s Biography
Once again, I feel compelled to respond to defamatory and baseless accusations being circulated online about my work—and about Jeanne de Recqueville.
My husband Renato Floris translated Jeanne de Recqueville’s rare French biography of Rudolph Valentino into English. This book, long out of print and almost impossible to find, was treated with the utmost scholarly respect. The translation was done meticulously, and the edition we published was intended to honor de Recqueville’s work and make it accessible to a wider audience for the first time.
We did not “appropriate” the book. We cited the original author. We did not “steal” the cover. The image used on the cover was fully licensed and paid for. The fact that we chose the same pose of Valentino as de Recqueville’s original edition was a deliberate tribute—an homage to her contribution to Valentino scholarship, not an act of theft.
To those falsely claiming otherwise: the facts are available. And I stand by our work. That a group moderator would threaten removal of anyone who mentions our edition is not only petty—it’s a troubling act of censorship in what should be a community interested in historical truth.
The only “appropriation” here is the hijacking of a legacy—Jeanne de Recqueville’s, Renato’s, and mine—by those who seek to control the narrative through lies, threats, and silencing tactics.
Let the record stand corrected.

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