A New Substack Post

https://evelynfloris.substack.com/

 

New Book: Reading Rudolph Valentino's Final World

https://www.amazon.com/dp/B0H6TBQZJK

One hundred years after the death of Rudolph Valentino, the story of his final months remains obscured by legend and rumor.

Drawing upon decades of archival research by Renato Floris and Evelyn Zumaya Floris, Reading Rudolph Valentino's Final World presents ten illustrated folios examining the people, places, documents and events which surrounded the actor during the last year of his life.

From a contested will and family claims to financial realities, the making and release of The Son of the Sheik, to the myths which arose after Valentino's death, each folio combines rare images and documentary evidence, inviting readers to step inside Valentino's final world and examine the surviving record for themselves.

A Meaningful Event

A note of thanks to Aurelio Miccoli, who recently shared an image from an event in Castellaneta in which actor Lino Guanciale, receiving a Valentino-related honor, concluded the evening with a reading from Il Mio Diario Privato, excerpted from the opening passage describing a journey back to his roots.

It is always meaningful to see this material continue to find a voice and an audience, particularly in Italy, where so much of this history still resonates and where Renato Floris' work in translating and preserving the integrity of these texts remains part of that ongoing record. 

My thanks to Aurelio for passing this along. 

The article maybe be read here: https://www.viviwebtv.it/articolo/aracnea-film-e-book-festival-lino-guanciale-incanta-la-platea-sotto-il-segno-di-rudy_107848

The Image via Facebook here: 

https://www.facebook.com/photo?fbid=910085498511168&set=a.255542903965434

Reading Rudolph Valentino's Final World

https://evelynfloris.substack.com/

An Article by Aurelio Miccoli

Shared by Aurelio Miccoli, this Italian article offers a cultural vignette connecting Valentino to regional tradition and lived memory.

Storie del Mito: Valentino e il vino cotto di Ischia

New Substack Online

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Affairs Valentino - Legacy Edition

 

The Legacy Edition of Affairs Valentino is now live. 

This edition restores, refines and secures the work in its intended form. For those who follow the long arc of this story: it stands. 

This Legacy edition preserves the original publication; date and text; reissued in a refined format for continued availability. 

Link: https://www.amazon.com/dp/B0GPPKTQ55

New Substack Online

The book is available:

https://bit.ly/4rwQtkg

https://evelynfloris.substack.com/

 

New Substack Online

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New Substack Online

 https://evelynfloris.substack.com/

New Substack Online

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New Substack Post Online

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New Substack Post

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New Substack Post

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New Substack Online

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On "The Controversy"

https://evelynfloris.substack.com/

 

The following is cited to The Des Moines Register, August 30, 1951. (Transcription below image)

"Alberto G. Valentino, 59 (left), brother of 'The Great Lover' and Jean Valentino, 37, nephew of Rudolph, said recently they intend to take legal action to halt the 'degrading carnivals' that annually take place at Rudolph Valentino's tomb in the Hollywood, Cal., cenetery. Last Thursday, on the twenty-fifth anniversary of the death of Valentino, the 'Lady in Black' swooned at the vault which contains his body."
 

Ignoring the Gold - New Substack Post

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Let the Record Show

I’ve been working hard to share as many documents as possible here and on the archive I’m building at https://rudolphvalentinodocuments.blogspot.com/.

This is the legacy Renato and I built—stone by stone, page by page, year after year. I post it so the record stands, so honest researchers and curious minds can see the work for what it is: authentic, original, and ours.

But inevitably, there are those who see this not as history shared, but as a buffet to raid. They take what we post, strip our names away, and parade it as their own discovery. They’ve done it for years—without shame, without honesty, without even the faintest blush of conscience.

By shameless, I mean exactly that: no shame. No integrity. No understanding of what it means to create something from the ground up. Their “research” amounts to a right-click and a download.

People often alert me—sending examples of how these same individuals boast about “their findings,” when the truth is they lifted them directly from my work. I’ve seen it myself too many times to count.

The worst offenders are Cindy Martin, Simon Constable, and Eleanor Gribbin.

They are not researchers. They are scavengers—desperate to appear relevant, incapable of producing original work, feeding off what Renato and I built.

Will my saying this make them stop? Hardly. Parasites rarely stop feeding on their own.
But let the record show: I know exactly who they are, and I will continue to publish, document, and expose—because truth, once made public, cannot be stolen.

New Substack - The Theft of Valentino

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